National Gallery of Art | Audio

Bonus Episode: Episode 11: Celeste Headlee and James Van Der Zee’s “Couple, Harlem”

In this photograph, journalist and musician Celeste Headlee hears “Lenox Avenue,” a suite her...

• 0
• 0
• +1 año

Sydney J. Freedberg Lecture on Italian Art 2021: “More perfect and excellent than men”

In this lecture, released on November 5, 2021, Babette Bohn of Texas Christian University...

• 0
• 0
• +1 año

Christian McBride and Roy DeCarava’s “David”

In an improvised musical conversation, jazz bassist Christian McBride introduces himself to...

• 0
• 0
• +1 año

Christian McBride and Roy DeCarava’s “David”

In an improvised musical conversation, jazz bassist Christian McBride introduces himself to...

• 0
• 0
• +1 año

The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 6: Alienation

Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In...

• 0
• 0
• +1 año

The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 5: Interference

Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In...

• 0
• 0
• +1 año

Daniel Bernard Roumain and "American Gothic"

Composer Daniel Bernard Roumain works with performance poet Lady Caress to respond to this iconic...

• 0
• 0
• +1 año

Daniel Bernard Roumain and "American Gothic"

Composer Daniel Bernard Roumain works with performance poet Lady Caress to respond to this iconic...

• 0
• 0
• +1 año

Nathalie Joachim and Carrie Mae Weems’s "May Flowers"

Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes...

• 0
• 0
• +1 año

Nathalie Joachim and Carrie Mae Weems’s "May Flowers"

Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes...

• 0
• 0
• +1 año

The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 4: Strain

Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In...

• 0
• 0
• +1 año

Bora Yoon and "Ommah"

Composer and multi-instrumentalist Bora Yoon considers whether we carry the sounds and memories...

• 0
• 0
• +1 año

Bora Yoon and "Ommah"

Composer and multi-instrumentalist Bora Yoon considers whether we carry the sounds and memories...

• 0
• 0
• +1 año

The 70th A. W. Mellon Lectures: Contact: Art and the Pull of Print, Part 3: Separation

Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In...

• 0
• 0
• +1 año

Rafiq Bhatia and James Turrell’s "New Light"

Musician Rafiq Bhatia feels compelled to capture his improvisations—fleeting moments of sound—in...

• 0
• 0
• +1 año

The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 2: Reversal

Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In...

• 0
• 0
• +1 año

Lara Downes and "Tomorrow I May Be Far Away"

For classical pianist and activist Lara Downes, Romare Bearden’s collage is a puzzle full of...

• 0
• 0
• +1 año

Lara Downes and "Tomorrow I May Be Far Away"

For classical pianist and activist Lara Downes, Romare Bearden’s collage is a puzzle full of...

• 0
• 0
• +1 año

The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 1: Pressure

The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 1:...

• 0
• 0
• +1 año

Jasiri X and Kerry James Marshall’s "Untitled (Man)"

Hip-hop artist Jasiri X looks at Kerry James Marshall’s woodcut almost like he’s looking into a...

• 0
• 0
• +1 año