For the Record #76: Typhoon's "Offerings"
The fourth studio album from Portland-based Typhoon, "Offerings," is a meditation on memory and...
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Podcasts de For The Record
For the Record #75: Phoebe Bridgers' "Stranger in the Alps"
Phoebe Bridgers' darkly self-aware songs, touched with humor and interesting production, are the...
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For the Record #74: Our *Other* Favorites From 2017
For this episode, we take a look at the albums released in 2017 that we really enjoyed, but...
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For the Record #73: The National's "Sleep Well Beast"
The National are back with their 7th studio record, "Sleep Well Beast," and we discuss it in...
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For the Record #72: Weaves' "Wide Open"
Toronto's Weaves got a lot of attention for their experimental debut record last year, and...
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For the Record #71: Wolf Parade's "Cry Cry Cry"
It's been seven years since Wolf Parade released their last LP and subsequently went on an...
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For the Record #70: Ted Leo's "The Hanged Man"
Ted Leo (minus the Pharmacists) is back with a vengeance with his first solo record in 7 years,...
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For the Record #68: Filthy Friends' "Invitation"
Filthy Friends is a supergroup made up of Corin Tucker of Sleater-Kinney, Peter Buck of R.E.M.,...
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For the Record #65: Ratboys' "GN"
Ratboys' second record, "GN," is sweet on the surface but has a depth and complexity to it that...
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For the Record #64: Jay Som's "Everybody Works"
Recording under the moniker Jay Som, Oakland's own Melina Duterte produced "Everybody Works" in...
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For the Record #63: The Mountain Goats' "Goths"
The Mountain Goats' 16th studio album, "Goths," is neither a goth record, nor a record about...
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For the Record #62: Girlpool's "Powerplant"
Girlpool's second full-length record marks a major change in style for the band, as the onetime...
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For the Record #60: Sweet Spirit's "St. Mojo"
Sweet Spirit are probably the best band in Austin, Texas -- live music capital of the world --...
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For the Record #78: Superchunk's "What a Time to Be Alive"
Almost 30 years in, on their 11th studio album, Superchunk sound like they've been galvanized by...
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For the Record #79: Our Picks from SXSW 2018
In Episode #79 of For the Record, we depart from our usual format to tell you about our favorite...
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For the Record #80: Marlon Williams' "Make Way for Love"
Marlon Williams is only 27 but his extraordinary, Roy Orbison-esque croon has already won him...
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For the Record #81: Caroline Rose's "LONER"
Caroline Rose's sophomore record "LONER" is already one of our favorites of 2018, combining a...
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For the Record #83: Frank Turner's "Be More Kind"
British singer-songwriter Frank Turner takes things in a new, synthier direction on his new...
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For the Record #85: Neko Case's "Hell-On"
Neko Case combines her singular voice with a host of collaborators, branching out into a variety...
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For the Record #86: Flasher's “Constant Image”
Flasher are a Washington D.C.-based trio who make tight, energetic, new-wavey post-punk that...
29:58
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